Interviews

Drag Queens and Comedy: An Interview with Chris Fildes

Kickstarter has become a safe haven for new works in the midst of the pandemic, a place where creators can turn to have their books shared with the world while conventions remain artefacts of the Before Times. Among the ranks of Irish creators putting their own through Kickstarter is Chris Fildes, writer of Fanny Galactic and the currently funding Crime&D’Sorder. The books centre on the drag scene in an English seaside village, bringing a new wave of comedy to Irish comics. Chris was kind enough to agree to an interview in the middle of his campaign – almost fully funded at the time this interview is going live.

It’s an awful cliché to ask a writer where they get their inspiration from, but I have to ask: why drag queens, and why now? Where did the characters come from?

Chris: I thought of the idea for the first book while watching a drag show in Dublin about 5 years ago. The performers wind machine had seen better days and I started to think about what would happen if it exploded. I then came up with this story in my head of this drag queen waking up in the future Buck Rogers style. So that’s how it started. I decided to make my characters a little older as I wanted a mix of fun, naughty humour but with the undercurrent of having been around and seen it all over the years. This lets me look at some weighty topics such as homophobia in 1980’s Britain (where I grew up), dealing with HIV and how growing up gay back then affected the characters – and still affects them.

How much of your own experience with the drag community came into play when writing this book?

Chris: I used to be involved in an annual Irish charity fundraiser called Alternative Miss Ireland. It started in 1987 in a small nightclub before coming back in 1996 hosted by Irish drag royalty Panti. It first went to see it in 1998 shortly after I moved to Ireland. I loved it so much I ended up building their website and going to committee meetings. It was such fun. It wasn’t just drag – it was a pastiche of a beauty contest so anyone could enter. I think a dog entered one year. What I loved about it was it was a bit rough around the edges and things would often go wrong – if we were lucky! I’ve always been drawn to slightly off-kilter entertainment and this really got me. I haven’t really been involved for years but it was a huge inspiration. 

We already know that Crime & D’Sorder is a comedy, but what else can people expect from the book? Is prior knowledge of Fanny Galactic required?

Chris: No prior knowledge required. All you need to know is in the first book Fanny Galactic’s pub gets blown up and she ends up in the future. There she discovers a world taken over by drag queens presided over by a friend of hers. The second book looks at the pub explosion scene from book 1 from the perspective of one of her friends caught up in it, and explores what happens next. The first book was a sci-fi comedy romp whereas the new one is more of a thriller/horror with comedy moments. It’s still funny (I hope) but it’s more serious and more the tone I’d like to take the series in going forward. I’d actually rather people start with this book to be honest – they can be read in any order. So we look at how and why the world got taken over by a drag queen and how Fanny’s friends get caught up in it.

Sybil D’Sorder

You moved to Dublin recently; how have you found the reception of the Irish comic community given the current state of the world? What are you most looking forward to post-pandemic?

Chris: Oh I actually moved here in 1998! I only started connecting with other Irish comic creators during both Kickstarter campaigns and haven’t had a chance to meet anyone properly. It’s my intention to get more involved now we can meet up. I’m so thrilled Little Deer Comics has opened up a stones throw from my house in Stoneybatter so this will give me a nudge to check out new Irish comics and start getting involved.

Editor note: Little Deer Comics has a store lease for 9 months, so don’t miss the opportunity to see it before it’s gone!

My mistake! We’ll have to make sure you get properly introduced to people soon! Back to the comics for now, what’s coming next from the world of Fanny Galactic and the drag queens of Dublin? Or will you be steering your craft to explore other areas of interest to you?

Chris: I’m hoping if this book is successful to work on the next instalment 20,000 WIGS UNDER THE SEA which continues Fanny Galactic’s time travel adventures – this time on the Titanic. This is going to be such fun. I’ve plans for more books in the series but I’m trying to work out how to get them out. CRIME & D’SORDER is a shorter comic than the first book and I’m not sure whether to split the new story into 2 books or do it all as one (which will take much longer). 

Violet Crime

I’m also working on some other stories too as I’ve been working on Fanny Galactic for a few years now (I first started plotting it nearly 7 years ago) and would like to spread out a bit. I’ve fully plotted a medieval horror story which I’m really, really excited about. It looks at a particular well known story in a very different way. I’m a big fan of David Lynch and this is scratching an itch to do something darker and more experimental. It came to me fully formed one night I couldn’t sleep – it scared me a bit as it felt like it was poured into my head from somewhere else…

Once this Kickstarter is done I’m going to finish writing this. I also have a new story I’d love to work on, which is an LGBT sci-fi love/adventure story. It’s an epic tale and the first issue I have mapped out and I think it could really work and lend itself to an ongoing story. So I need to balance that with budget and also wanting to carry on working with artist Edward Bentley on Fanny Galactic as I love our collaboration. At the moment it looks like there will be a gap before I start a new Fanny Galactic but I think it’s good to spread out and try a few other things. I’m going to be taking both Fanny Galactic books to Thought Bubble and it will be great to see the reaction and see what people think about it. 

Thanks again to Chris for taking the time to talk to us! Be sure to check out Crime&D’Sorder on Kickstarter – the campaign ends on September 30th! From the sneak peek we got before the interview, this is the sort of book the Irish comic scene needs.

About Chris:

Chris is a new Irish comics writer born in the UK but based in Dublin for the last 20 years. Last year he Kickstarted his first book FANNY GALACTIC : TUCK TO THE FUTURE about the adventures of a time travelling drag queen. It funded in under 3 days so now he’s come back with a follow-up CRIME & D’SORDER. He grew up on a diet of 1980’s Doctor Who and 2000ad and which inspire both his humour and writing.

Follow Chris on Twitter @IamChrisFildes

Rabbit and Paul Cover
Reviews

Review: Rabbit and Paul

Over the past few years, there’s been an explosion of Irish comics. Last year, the most Irish comic ever was published by Offaly-native Seán Hogan: Rabbit and Paul.

Set in the small town of Bally’O’Jhaysus (+2 Irish-ism Points), the book follows the tale of Paul and his anthropomorphic rabbit-friend, Rabbit. Rabbit is acquired in a Tat Shop (+1 Point), despite warnings from Paul’s parents about not bringing any more tat into the house. (+1 Point) Through a bizarre series of events involving a strange, illegal candy (+1 Point for vague drug dealer reference), a fascination with a particularly large Chinese restaurant (+1 Point), and a range of hilarious Irish phrases (1+ per use… I think you get the idea: extremely Irish book), the journey of the titular duo is mapped out in bizarre fashion.

This is a unique celebration of the peculiarity of Irishness, capturing Irish humour in its purest (and most PC) form in its smallest details. Anybody with a notion of experience with Ireland will immediately understand the references made throughout the book, though it should be said that the Irish audience will benefit most from the tiniest jokes hidden in the pages.

Rabbit and Paul is a charming, witty book, enough to keep readers laughing long after the last page. Barely after finishing it did I feel an obligation to get my hands on a second copy as a gift for a friend. Anyone who can get past the anthropomorphic line in the blurb is sure to love the story, told with a great capacity for what it means to be Irish.

Hogan has produced an impressive debut, both in its writing and its illustrations. The comic will leave readers wanting more. For the moment, a conversation with the book’s creator will have to suffice. You can catch him, and Rabbit and Paul, at Dublin Comic Con.