Reviews

Review: The Broker

Launching at Dublin Comic Con, The Broker is the first book from podcaster Wayne Talbot. The book has an interesting publication history (and it’s not even out yet!), originally intended to be released across three anthologies by Lightning Strike, and changing creative teams when it stood out by itself. The original creative team consisted on Wayne Talbot as writer and Miriam Abuin on lettering, both of whom remained throughout the entire project. For the book’s first act, pages 1-10, Ruairi Coleman served as artist, with Timothy Brown on colours. For the remainder of the book, Brian Corcoran assumed the role of artist, with Talbot picking up colours. Ciaran Marcantonio resides over the book as editor as it reaches convention tables for the first time.

The plot of the book seems less tedious after putting the book’s history into words; conceptually, it’s simple, and thematically appropriate for the current political climate. Talbot deals with corruption, brutality and conspiracy throughout three acts, pacing the tale incredibly well across each part. The protagonists are believable in almost every aspect – we’ll let the team away with the superb reflexes of their heroes due in part to the fact that comics allow a certain distinction from reality. Nothing is held back between the twists and turns of a plot centring around Brokers with their own visions of how the world should run, and wicked and scrupulous means of achieving their goals, playing with lives as chess pieces.

Readers can be understandably concerned when they hear about the change in artist between two parts of the story, but fear not: Coleman and Corcoran’s styles compliment each other well. Where Coleman dealt with some of the more explosive scenes of the book, relying on dynamic movements between panels, Corcoran deals with the forensics in greater capacity, picking apart the plot with a fine pen. It helps that each artist deals with a different primary protagonist, with Corcoran and Talbot creating a new tonal quality to the book as it enters its second act. Talbot and Brown’s colours blend well together, and while I would personally question one particularly vibrant background colour choice, Talbot succeeded in completing the colouring of the book as well as any seasoned creator could hope.

Between them, Talbot and Brown created a theme of colours to track throughout the book, working with Abuin’s lettering to tie the whole piece together neatly. Reds carry violence, purples hint at the presence of the antagonists, and oranges case a light on Catelyn’s past.

The risks involved in changing teams are many, but a book like The Broker was perfectly designed to make use of it in the best way. I would question it if the division in acts wasn’t apparent in the writing, too, and any reader should worry when they see such a drastic change in a book’s lineup; thankfully, The Broker blends its second team’s styles with its original creators.

A couple of side notes before I finish: I love that there’s a soundtrack to listen to while reading the book (interior back page, for those of you yet to read the book), and; Catelyn is perhaps my favourite single character from an Irish small press book. As well as being incredibly Bad Ass, she has a few choice panels that really stand out for me towards the end of the second act. When you’ve read the book, then you can ask about it if you don’t immediately spot what makes her so relatable.

I look forward to something new from Talbot, whichever creative team he works with. And, while this is no criticism of The Broker, I’m thankful that the next project he’s announced is less contemporary in nature, so that we might see more of how he creates, and less of the current politics that fills newsfeeds daily.

Follow the creators on Twitter:

Wayne Talbot: @waynetalbot

Miriam Abuin: @miriamabuin

Ruairi Coleman: @ruairicoleman

Timothy Brown: @artoftimbrown

Brian Corcoran: @_brian_corcoran

Ciaran Marcantonio: @ciaronious

Reviews

Review: Red Sands

‘Mad Max’ meets vampires in Red Sands issue 1 from Lightning Strike Comics. I received a digital copy of the comic from the book’s writer for review. Written by Ciaran Marcantonio, illustrated by Cormac Hughes, coloured by Triona Farrell, and lettered by Bob Kelly, the book collects two parts of a tale originally published in Lightning Strike 6 & 8.  

While the divide in the story as a result of how it was originally published it slightly jarring (right up until the next page turn, that is), each part of the story presents the reader with different sets of information, and charges the tale with tension amidst the dystopian history lesson. Years of working in comics – and a collection that would leave casual buyers in awe – have prepared Marcantonio for the creation of this horrid world, haunted by a burning sun, long nights, and bloodthirsty vampires. There’s a nice blend of tension-building with the narrative guidance of the book’s protagonist, providing us with all the information we need to understand what’s happening in the moment, without providing all the answers.

Hughes’s artwork loads itself well to the style of the story. Snippets of gear changes and exploding blood bags capture quick movements, while lines of tension are drawn between panels as characters square off against each other, poised for strong words. With the addition of Farrell’s colours, the story is brought to a dark and bloody life. Cool blues and stark yellows dominate the pages of the book, with deep reds drawing bloodied warning lines throughout the book.

There’s a lot to like about this book. Dealing with issues of parentage, survival and the common good, this vampire dystopia is much more than meets the eye. The book is reminiscent of classic genre flicks from the 80s and 90s, from Mad Max 2 to From Dusk Till Dawn, with a climate change apocalypse thrown in for good measure.

While the exact cause of the events that led to Red Sands is still uncertain, one thing is clear: dying is almost inevitable. The sun will burn you up, human or vampire. The vampires will drain you as quickly as you drain your fuel tank. And, if Red Sands Testament (Writer: Marcantonio, Artist: Robert Carey, Colourist: Ruth Redmond, Letterer: Miriam Abuin) is anything to go by (a bonus story at the back of the book!), the battle is being fought on all fronts.

Red Sands is definitely one to check out for horror and sci-fi fans, and to give readers a good idea of the sort of stories Marcantonio can tell ahead of his upcoming graphic novel Neon Skies.  

Check out the creators on Twitter:

Ciaran Marcantonio: @ciaronious

Cormac Hughes: @fhiacha

Triona Farrell: @treestumped

Robert Carey: @robcareycomics

Ruth Redmond: @ruth_redmond

Miriam Abuin: @miriamabuin