Interviews

Ireland’s Newest Comic Site: An Interview with Aaron Fever and Clare Foley on IrishComics.ie

Ireland has had its events closed for 16 months. That’s been almost a year and a half of no conventions at which creators could showcase new work. If not for an uptake in digital platforms for communication, like Discord and Zoom, it would also have been a year a half during which Irish comic creators would not have spoken nearly as much as they have been. Out of one series of Zoom calls comes Ireland’s newest comic website: IrishComics.ie.

Joining us today, as part of the Comix Ireland revival, are two of my co-founders of IrishComics.ie: Aaron Fever and Clare Foley.

Where did the idea come from? What excited you about it when it first came up in conversation?

Aaron: Well like you said, we had a year of weekly zoom calls between us talking about how we were all trying to make independent comics and how much of a struggle that can be. As part of those conversations we also talked about what we hoped the future of the Irish comics community would be coming out of the pandemic. A big theme in all of that was just how important supporting each other is and how difficult things can be when we’re trying to hussle individually. 

I remember talking about my early days of writing articles for websites and how they were a great source of pot-luck entertainment. You’d go to check out one thing but stick around to read something else. I feel like Twitter etc has removed a bit of that culture due to picking and choosing who you follow but I think there’s a demand for it now that folks have become wary of social media.

I won’t lie and pretend that I also didn’t mention Eclectic Micks as an inspiration. It’s a great example to show that when Irish comic creators work together, good things happen.

Clare: The weekly Zoom calls began around the time I was really struggling creatively, I was just floundering without any sense of “comics community” that I’d usually get from events, conventions, meeting up with friends… It left me very unmotivated to create anything. The calls themselves began as a general catch up and chat about what work we’d be trying to complete for next week, but we began to really talk  about the scene, our future careers, and how we could best support each other.

The idea seemed quite natural, especially in light of how digital all our lives had become. When the idea began being discussed, it very quickly snowballed into something really possible, and I think we were all quite excited by it.

What’s the purpose of the site? What’s it for? Who is it for?

A: I’m jazzed to hopefully draw some eyes to different Irish comics people might never have tried otherwise. Do you like one of my comics? Well here’s another cool one next to it. And vice versa. Maybe you’re a big fan of Anthea but never had heard of me before. Great, well now you can see we’re all part of the same community of creators.

It’s free, none of us are gonna make money directly from it (in fact, we’ve put in money) but the hope is that we can raise all of our profiles and provide a place for every Irish comic creator to come and contribute and get some new admirers. Get your name out there. Let’s show what we can do.

C: I think when we talk about ‘Irish Comics’ as a concept, it’s scattered across a lot of different websites and platforms, which all update on different schedules or maybe quite infrequently.

The idea of the site really simplifies it down – if you go there any week day, there is a new comic page. If you click around, there are loads of other stories.

As Aaron said, maybe you read a page and want to see more from this writer. Maybe you read a page and want to see another story from this artist. Maybe you’re curious about the creative team. It’s all easy to find more of.

It’s also the kind of site I’d be happy to send to someone a bit less familiar with comics, as it serves as a sort of sample-plate of some cool comics, and is a bit more enticing than linking to a series of different Twitter threads, or a ton of different artist websites.

What do you hope will come from the website’s existence?

A: You know from experience, I’ve said this phrase maybe a 100 times during the build up to this: A rising tide lifts all boats.

I really hope everyone involved both currently and in the future gain support and valuable interactions from putting their comics on the site. I hope it becomes a great hub for both showcasing your work and interacting with the rest of the Irish comics community. 

I also hope it gives the world, and Ireland, a great sense of the length and breadth of what Irish comics are. What is our style of comics. What makes us stand out.

C: I really can’t add much to this – there is strength in numbers, any success that any of us have can help us all. The Irish comics scene has so much great work to show, this will hopefully act as a place to showcase some of that talent.

How does a site like IrishComics.ie fit into your own plans for making and disseminating comics?

A: I have two successful Kickstarters under my belt but honestly I’m still struggling to make content regularly due to printing costs and relying on events to be able to sell comics. 

I’ve already pivoted a lot of future plans to releasing primarily through IrishComics. I’m not making much money selling physical copies so why am I sinking myself financially to keep printing things at scale? I just want people to read my stuff. So here, read it on our site!

C: I don’t generally have my comics online – I tend to sell physical copies. Although I could put comics on my own website, there is a very narrow window of traffic that goes there. And although social media is good for sharing stuff, it tends to be seen by the same series of people.

Having a website that updates daily showcasing lots of different stories is a great way to share some of your work with a lot of different people, without the pressure of enormous printing costs.

How do creators get involved?

A: So obviously, despite some experience, this is a new adventure for us. This first week or so we just want to make sure the lights stay on and we don’t accidentally blow something up. But pretty much straight after that we’re inviting folks to contribute. We want to get as many people as possible involved. Get the boats on that tide, haha!

We need completed comics (short or longer form) to post, a new page going live each week, sent to us via irishcomics@gmail.com.

Now, we want to be putting our best foot forward and showing off our community in the best possible light so there is a review process involved. Basically, if we feel like your comic might not be quite ready we may not be able to accept it. But we will give clear feedback and try to steer a creator in the right direction. 

Why hasn’t something like this been done before?

A: Honestly, I think it’s because professional comics treats its creators as individuals. Work-for-hire artists. We’re isolated often by the industry.

I’m sure there are other versions of this site around but I think our community has only recently seen a boom in creators. Maybe the last 5-8 years or so? It takes time to find an identity. I’m hoping maybe we can help push that process along. 

C: Well the idea really grew from discussing this very question. I’m sure the idea has been discussed before, and there are probably versions of this in existence. Maybe the fact that there’s no profit-making mechanism in the website; it really is just a place to showcase some work. The focus is really on bringing people together, and I hope it achieves that.

What can you tell us about your own stories on the site?

A: Oh boy, me and Hugh have been working on Mr & Mrs Van Helsing for over a year now. It actually started from an idea Hugh had for a couple of monster hunters and has evolved significantly over time. Think about what it would be like if your favourite married couple hunted trolls and werewolves. It’s a bit like that, haha. I’m really excited for everyone to see it. I’m proud of what we’re doing (don’t tell Hugh I said that).

C: I was working away on ‘Sredni Vashtar’, the Saki adaptation, during our Zoom calls – I used them a bit like ‘homework club’ to finish it off in time! It was around that time we were discussing the site, so I was delighted to have some new work to go up on it.

The story is totally bizarre, and I love it. I’ve made some changes that I’m sure have Saki whirling in his grave. It involves a violent ferret goddess, and a little girl with a wild imagination.

I also did the art for Paul’s excellent story ‘The Fiend in the Forest’ – I loved working on this, and I think it turned into such an atmospheric and spooky tale. I was delighted Paul brought me on to do the art for this one, I think it was a great fit and I’m glad I got to help it shine.

IrishComics.ie launches on July 10, 2021 with the first pages of each of the five stories. From Monday 12, the pages will begin publishing on a daily basis:

  • Monday: Srendi Veshtar by Clare Foley
  • Tuesday: After Yesterday by Jaime Lalor
  • Wednesday: Mr & Mrs Van Helsing by Aaron Fever and Hugh Madden
  • Thursday: Eyes by Anthea West
  • Friday: The Fiend in the Forest by Paul Carroll

Subscribe to the site to keep up with the comics as they’re published.

Sleep Tight
Interviews

Dustbunnies and Horror: An Interview with Anthea West

Anthea West is the Dublin based creator of Fate, an all-ages fantasy story that began in print and turned to the web. As well as Fate, she’s released The Earthbound God – a fantasy graphic novel – and Sleep Tight – a short collection of horror comics.

Anthea West

You’ve been working on Fate for a long time now. Did you always plan on releasing it as a webcomic?

Short story: Yes. Long story: The plan was to release it as an issue series until chapter 3 and then start releasing it was a web series along with the issues. However, I soon realise, after chapter 2, that printing and selling issues were a handful and pretty expensive over time. I went back and tweak a few things in the original chapters, coloured them and placed them on the web while discontinuing the issues. I enjoy selling graphic novels far more than issues anyway.

If you were to start again now, would you do anything differently?

I would have changed some plot things, very minor things that no one else would have noticed except me most likely. I would give myself more time between chapters to not only write and layout pages but to get a month’s worth of pages completed. A buffer is a webcomics best friend as the old saying goes.

Your Kickstarter last year was fully paid on the first day. What do you think helped with that?

I think it was a good mixture between being involved with the Irish comic community for years beforehand, having already built a small audience for Fate since 2015 and I had recently joined a webcomic collective called Ink Drop Café some months before the Kickstarter. They are such a wonderful and welcoming group and they helped a lot with the advertising of the KS over the month. They were also there to give a lot of moral support and advice and I’m super indebted to them.   

What would you advise to other creators looking to Kickstart a book?

Build your audience first. Advertise what you’re creating long before the Kickstarter. Get your name out there, let people know who you are and sort of things you are creating. Remember that Kickstarter is a platform, not a guarantee of success. You’re only going to get as much as you put in.

Sleep TightAs well as all-ages fantasy, you’ve also worked on horror. What made you work in a different genre?

I’ve always enjoyed horror. Not so much as getting spooked in the middle of the night but that’s a given when you consume the scary stuff. I had always wanted to make some horror comics, I use to write a lot of horror in my teenage years but I just never really got around to it. The final push was when the 100th person told me I could never do horror or “serious” stories because of the style of my artwork.  Let say, spite can be a wonderful motivator.

If you could only work in one genre, and you had to choose between all-ages fantasy like Fate, or horror like Sleep Tight, which would you choose?

Fantasy, no question. It’s a bit of a cheat answer as fantasy spills over into other genres easily such as horror and adventure while still being fantasy. Besides, my horrors are all shorts, fantasy tends to be where my long-form story ideas live. I have a lot of long-form stories planned for the future.

What’s your one tip for people wanting to make a start in comics?

Just start making comics. Don’t worry about perfection, or about being good. Good will come later. Right now just hop in and learn. Start with short stories, work up to issue-length stories and if you want to, move onto graphic novel length. Making comics and sharing them online or IRL is getting into comics.

What’s next for you in the world of comics?

More Fate certainly. That should be returning after its long break in June. This summer or next September I’ll be releasing another, longer, horror anthology called Interloper, so keep an eye out for that. My patrons over on Patreon get previews and sneak peeks into that every week. I’m also near the end of writing my all-ages graphic novel, Ash Tree, a story where a young girl called Aisling is shrunk and forced on an adventure with a hyperactive fox and has to learn, very quickly, how to be brave.

Reviews

Review: Fate

One of Ireland’s longest running web comics is taking its first three chapters and going into print. Fate, by Anthea West, is launching with a collected volume of its first three chapters (and an exclusive print-only prologue!) at Dublin Comic Con this year. The book comes with cover colours by Triona Farrell, a map by Katie O’Meara, and additional colours by O’Meara and Rebecca Nalty. Following an incredibly successful Kickstarter earlier this year, West is ready to bring her beloved back to the convention floor.

Fate is an all-ages comic that combines West’s great sense of humour with a fun and vibrant adventure story. Following the misfortune’s of the only talking dustbunny – later named by another character as ‘Bunny’ – Fate builds up a large, fantastical world with each twist and turn. In a world populated by humans, fauns, dustbunnies, mermaids and demons – and probably a whole lot more – there’s a lot to be discovered with every turn of the page and addition to the site.

West’s sense of humour and style of illustration are perfect for her intended audience, painting a colourful story world filled with friendly and easy-on-the-eye protagonists, and menacing beasts with their eyes (and stomachs) settled on hunting down Bunny. With her art loaning itself equally well to its adorable protagonist and all the nastiness that aims to devour him, readers are in for a visual delight.

The book is certainly a lot less serious than most of the other titles released by Irish creators, but that doesn’t stop it dealing with themes of friendship, prejudice, and finding courage as an unwilling hero. While it’s still quite early in the tale, there’s a lot to uncover within the story about the world, its people, and the things that bind them together. Definitely one to check out, especially if you’re looking for something child-friendly from the Irish small press creators.

Check out Anthea on Twitter at: @antheawest

 

The Earthbound God Cover
Reviews

Review: The Earthbound God

In 2013, Anthea West released The Earthbound God. Six years earlier, I became acquainted with her online. I’ve been a supporter of her work since she started producing comics; I need to state this before I get into the review, to be clear that I adore her work, and consider her a vital friend in the comic book world.

When I picked up The Earthbound God, during its initial release, I didn’t know what to expect. All I knew was that shortly thereafter, the book sold out, and Anthea West needed to print more to meet demand. I can only imagine what might have drawn people to this book – pun definitely intended. It must have been – and I really can only guess – the beautiful concept of the book, one that inspired me to support her IndieGoGo campaign for the first print run. I was not disappointed with the book, and I know that I am not alone.

West tells a wonderful story of wayward sisters in a frozen world, sisters by bond rather than blood, travelling from two very different places in the mountains. During the winter, they must find and kill the Earthbound God, Mij, a bounty kill that would secure their future. Through their journey, West paints a clear picture of a strange world, where language is a constant barrier and a superstitious force, and something to be played with in the writing. In few words, West shows readers the importance of story in a world without electronic communication, where instances to find food and warmth can be few and far between.

Of vital importance in this tale is the relationship between the sisters by bond, Yaeya and Eusha, dressed in thick furs, with remarkably expressive faces. Their relationship is complicated, but understand easily in the ways they interact throughout the book.

This is a fully fleshed out book, drawn in black and white in such a way that the frozen-over world can be felt through the pages. The creative use of panelling, and the value placed upon blank space, draws a complicated picture.

With clear influences from Princess Mononoke, and a long history of her own creative drive in character and monster creation, West delivers a powerful book, with a disturbing antagonist and a harsh environment to offset the embodied enthusiasm within our heroes.

The book is available through Forbidden Planet Dublin; if you ask nicely, and if she has copies available, Anthea might be able to bring copies to Dublin Comic Con. (Update: Anthea will definitely be bringing copies of the book to DCC.)